Muddy Waters Guild3/28/2021
Universal was known to use the 300, 350, and 403 models. 194050s RCA Ribbon Microphones A standard at both Universal and Chess in their early years.Genres Blues Influences Big Joe Williams Charley Patton Robert Johnson Robert Nighthawk Son House Tommy Johnson Willie Brown Labels Library of Congress (1941-42) Testament (1946) Columbia (1946) AristocratChess (1946-75) Blue Sky (1977-83).
His use of Open G waned in the early 50s as he switched to standard tuning. Examples: I Cant be Satisfied play Rollin and Tumblin Pt. Walkin Blues play. Picking He had learned finger picking, strumming the three low strings with his thumb and picking the other strings upward with his bare fingers. Shortly after he moved to Chicago he started wearing a thumb pick and index pick as he claims I was banging my hand all up. Hammer OnPull OffUsed often.Legato SlideUsed often. PickingHe. Shortly after he moved to Chicago he started wearing a thumb pick and. The intense slide playing can be heard mostly on his 1940s and early 50s recordings, and was used while on tour throughout his life. Originally he used Open G tuning for his slide playing, then Standard as he transitioned to the tuning in the early 50s. Open G) play Honey Bee (Standard) play Long Distance Call (Standard) play Vibrato Used often. He ordered it in 1932 from a Sears Roebuck catalog for 2.50 - which he had come up with by selling his horse. Martin acoustic Borrowed from Alan Lomax for his Library of Congress recordings. A wood-bodied resonator he is seen holding in Alan Lomaxs 1941 picture of Muddy and Son Sims Four. By the time he started recording for Aristocrat, the guitar was stolen. He replaced it with a Gretsch. Gretsch Synchromatic This was the guitar he would use in the late 40s and early 50s. It has been through the hands of B.B. The Hoss. It was white and had come with a maple neck, which was. Fender released a Muddy Waters Telecaster model in 2000, replicating this guitar. Telecaster. 1966 Guild Thunderbird S-200 Another guitar given by Guild during their endorsement deal. He claims it was modified for a heavier sound and kept all of his settings at 9 with no tremolo or reverb. It was stolen in the late 70s and replaced with a new model. Fender Bassman 6G6 Piggy-back Bassman he was seen using at Carnegie Hall in 1965. Late 1970s Fender Super Reverb After his original Super Reverb was stolen, he bought a brand new silverface model to replace it. Originally he used metal ones, but didnt like the sound so he switched to plastic picks. Mid-late 194050s Ampex Tape Recorders Before Chess studio opened in 1957, most of his recordings took place at Universal Studios in Chicago. They used these Ampexes for all of his recordings there, and Chess did too in their early-mid years. Universal was known to use the 300, 350, and 403 models. RCA Ribbon Microphones A standard at both Universal and Chess in their early years.
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